C’mon C’mon C’mon started its life on a different trajectory than it ended up on. Originally, I was writing a song for a placement opportunity, and the basic feeling was supposed to be ‘nostalgic’. I got that part moving along just fine, and as it’s written now, that part would have worked out. Samples were given as an idea for the type of sound and feel they were looking for which lent toward a melancholic pop/indie vibe. Usually, that is right up my alley, as well as those familiar music know. But when I’d play the song, which at first was just on acoustic guitar, I kept playing it at a certain speed, and that speed took it out of a melancholic feel. I tried to slow it down and make it more weepy, but nope, this song wouldn’t have it.
I abandoned my initial mission, forgot about the placement, and served this song as it wanted to be served. It just wanted to be kind of a Brit pop type thing—a hair punky, with an upbeat feel. There was a whole other section of lyrics in the bridge, which is just instrumental now—where the widdley-woo guitar solo is. They were cool, but it was murky and just wasn’t working, so I went for some guitar fun, which fits the theme of the song, as it ended up being about my musical journey in a way, and it was ripping guitar riffs that pulled me into music in the first place.
The idea of the song is that musical styles, and even fashion styles (which often accompany music styles) always seem to repeat and come back around again… what was in style once will likely come around again—I mean, how many times has punk rock come and gone now?
We saw a time in the 90’s when the old swing sound came back around again (and everyone sounded like an updated Cab Calloway), rock-a- billy had it’s day again in the 80’s and brought with it that 50’s fashion, and here in Nashville on our favorite local radio station, Lightning 100, I hear so many bands that sound like they’ve revisited the 70’s and 80’s again for inspiration.
I’ve had a few questions asked of me regarding the line ‘the drink and then the sound is brown, ’til the strong and clear take down the town…’ — the brown drink is whiskey, the brown sound was what Eddie Van Halen’s sounds was labeled. Both of those fell out of favor at some point, but now we know bourbon is the big thing again after the years when strong, clear liquors became popular and almost destroyed the bourbon industry— and the 80’s saw that more clean sound (drum machines, clean guitars, etc.) swallow the big guitar sound. Then came the whole grunge movement and ‘alternative’ bands like Tool, Dinosaur Jr., and Smashing Pumpkins that brought back the wall of sound again.
And so it goes…round and round… what you like may pass out of favor, but it will come back around.
So sing your song!
WATCH THE VIDEO
LYRICS: C’Mon C’Mon C’Mon by Kenny Schick
Verse
Yesterday or years ago
it’s all the same and we don’t know
that time’s moved on
and nothing’s gone
we talk away the day and so
the night walks in and steals the show
it’s been too long
still sing that song
the one that’s always dances in my heads
the tune that always gets me out of bed
chorus
Na Na Na Na Na Na Na
C’mon C’mon
Life’s as short as the day is long
c’mon c’mon
no one else… can sing your song c’mon c’mon c’mon
Verse 2
the latest style it’s all the rage
it flies away and leaves the cage
and then it’s gone
but not for long
the drink and then the sound is brown
’til the strong and clear take down the town
for today
but it’s ok
cuz it won’t be long ’til we see you again
and the coolest kids will want to be your friend
Bridge
it’s new, it’s old, it’s bought and sold
the salvage yard then solid gold
and should it stand the test of time
rewrite the lines repeat the rhyme
202 started with hopeful thoughts for many. Premature hopes would be dashed on the proverbial rocks as 2020 tumbled down the cliff. It moved ever more rapidly to becoming the worst year in recent history for the entire planet.
The Ghost of Nashville is about how Nashville suffered one of the earliest big blows of 2020. In the early morning of March 3, a deadly and unpredicted tornado ravaged Northern and East Nashville.
In East Nashville, where Kenny Schick, and his wife, Sabine Heusler-Schick run Basement 3 Productions, a music production company. Many of the businesses that made East Nashville vibrant (including a very popular music venue, The Basement East) were torn to pieces, just a few blocks from the Schick’s ‘compound’.
Tragedy
On the heels of the tornado, the whole planet went into lock down due to the COVID-19 pandemic. Nashville, is a town where music, entertainment, tourism, and restaurants make it a destination. It is a town full of musicians who rely on gigs and touring they immediately felt the full impact of the shutdowns. Black Lives Matter protests and riots had Nashville unravel quickly as opposing ideologies and contrary opinions clashed.
Musicians and the music industry that gives Music City it’s identity, an industry who’s employees often struggle to eek out a living even in the best of times, hangs on the verge of extinction in Nashville, and many wonder if the clubs, the artists, the hotels, the restaurants will survive. Even before all this, concerns of the rapid growth and rising housing costs had threatened the survival of an already challenged music industry, and the charm and history of Nashville.
A lot of Questions
It is with this whirlwind of thoughts and fears that Kenny Schick penned the song, The Ghost Of Nashville, a tribute to his hometown of just 3 years. Schick and his wife had fled the San Francisco Bay Area. Some of the highest costs of living in the country had gutted the once thriving community of artists. Nashville was growing quickly, but this place called ‘Music City’ was on a downhill trajectory. Economic growth alone could potentially devour the very industry that attracts so many to Nashville.
‘The Ghost Of Nashville’ leaves listeners with lots of questions,. Schick hopes it inspires thoughts and new ideas that will lead to preserving the heart and soul of Music City.
Spitfire Audio Competition – The task was to create an original musical score for the provided clip, from season 3, episode 5 of Westworld. A project for Spitfire Audio’s Westworld Scoring Competition. You can watch the video on this page or follow the link to youtube. #westworldscoringcompetition2020
Westworld is a TV show on HBO. It is about a futurist amusement park for rich vacationers and is overseen by robotic “hosts”. It allows its visitors to live out their fantasies through artificial consciousness. No matter how illicit the fantasy may be, there are no consequences for the park’s guests, allowing for any wish to be indulged. “Westworld” is based on the 1973 Michael Crichton movie of the same name and features an all-star cast.
Based on
Westworld is an American dystopian science fiction, neo-Western television series created by Jonathan Nolan and Lisa Joy. Produced and aired by HBO, it is based on the 1973 film of the same name (written and directed by Michael Crichton) and, to a lesser extent, the film’s 1976 sequel, Futureworld.
Production Workshop – The Isolationist’s Guide to Recording Vocals and Guitar in the Safety and Comfort of Your Own Home
$ Pay What you Can
A Production Workshop designed to help you get a better grasp on recording your vocals and guitar. With enough quality so that you can send them to a studio or producer who can then put them to music. This will provide you with a radio ready version of your new songs. I have worked in this fashion with songwriters in different states and countries with great success. I look forward to helping you learn or improve your techniques so you can generate great sounding tracks. We’ll talk about the sound of your space, equipment you can use at various price points, and the techniques that pertain to capturing good sounds.
When it’s time to record a radio ready version of that new song, many songwriters and musicians are used to going to a studio to cut their tracks. That’s certainly how I started back in the 80’s, but for me, I loved recording. I knew I’d have to find a way to set up my own way to do it whenever the spirit moved me. To that end, I was a super early adopter of the concept of the home recording studio. Basement 3 Productions was originally formed around the idea of a mobile recording studio. It grew to be a combination of my own small studio at home, a mobile rig, and pretty soon began incorporating file sharing so I could work with people anywhere in the world.
Forward to 2020, and along comes COVID-19 – now this concept is not only convenient—it is necessary. It’s also an important time to make music to help people through these hard times. It’s also a time where many are stuck at home and have some time to focus on writing new songs.
Online Production Workshop with Kenny Schick – January 19, 2020
Online Music Production Workshop with Kenny Schick of B3PMusic.com for West Coast Songwriters wcs.org – for members and non members!
Kenny Schick will be hosting an Online Production Workshop January 19th from 10am-11am. Only 25 spots available so be sure to sign up! Member price is $50, non-member price is $65. Please be sure your membership is current. Join or renew today!
I am looking forward to presenting the music Online Production Workshop on January 19th, and I’m excited to be part of the first online workshop for WCS where I’ll join y’all from my studio in Nashville.
Online Production Workshop
This particular workshop came to be in response to a repeated theme during song screenings. That theme was that production really needs to be considered when pitching songs. High quality production is now expected in all arenas of the music industry, and this even includes demos.
We will be picking 3 songs (maybe more if we have time) from demos you send in to discuss in terms of how I would approach them from a production standpoint: a style I’d imagine the song in, instruments and sounds I’d use, composition, arrangement, etc. Even if we don’t choose your song, there is plenty to learn listening to ideas I might apply to the chosen songs, as the concepts I use that are specific to one song also contain general principles I apply to any song I am working on.
I hope to give you ideas that you can use to better plan end results of your songs as you begin to write them—a mindset of imagining what a song can become, not just what it is in terms of lyrics and chords.
Kenny Schick is a Producer, Recording/Mixing Engineer, Multi-Instrumentalist, Singer Songwriter
& Photographer – Nashville & Bay Area – B3Pmusic.com Kenny specializes in helping solo artists
& singer songwriters create, develop & record fully produced and mastered songs.
Kenny has had decades of recording experience and mastered many instruments. He has a unique and custom approach to every song and works with all types of artists world wide. He writes/produces music for tv & film, and performs live and as a session musician for many well known national and international projects. Kenny has written/produced 5 solo albums, produced 3 albums (latest release 2019) with his duo ArtemesiaBlack, and has produced/co-produced and appeared on hundreds of other albums and songs for other artists. Notable artists he has worked with: Bobby McFerrin, Greg Camp of SmashMouth, GC Cameron – Temptations, Hershel Yatovitz (Chris Isaak band), No Doubt, The Red Hot Chili Peppers, Primus, Judy Mowat (Bob Marley band) and countless others.